Sunday, January 12, 2014

Reflection on Animal Painting

Exercises

We have been working on our animal paintings for a long period, and we have now finished our final painting. The first step of this process was to do exercises and look at the shape, shadows and proportions of our chosen animal’s face. We did this by looking at negative space, making scribble drawings, putting the face into geometric shapes of all sorts and blind contour drawings. These exercises were very useful to me during the process, because after having made the final draft I took some time comparing it with these exercises. When doing so I spotted mistakes both in the dark and light spots and the shape of my animal. I saw that I had to improve on the shape of my animal face when comparing it to the geometric shapes, looking at the size of the shapes (the triangle in the cheeks and the rectangle on the nose and forehead) and the angle of the shapes.

We also did exercises with paint, so we became more familiar with some of the options we had when it came to the painting techniques we could use. This was also a very useful exercise, because I learned how to make it look like fur by using dry brush- technique. I really liked the technique I used for background on my final piece, because it gave a very cool effect.

Since I finished the drafts quickly I was allowed to practice only painting the eye of the tiger, close up. I was really happy with all the details in the eye and I think it looked realistic since I added a lot of white reflecting in the eye. I was also happy with the fur! I didn’t use the same dry-brush technique as I did in the final painting, but I managed to make up my own technique for it to look realistic. I got a lot of compliments for my eye-painting and Mrs. Jardin even used it on the Facebook page for our class! :D


Feedback

I got feedback during the process both from my teacher, Mrs. Jardin, students from 10th and 9th grade, and my parents. The official time for constructive feedback was when I had drawn a sketch for the final painting. Mrs. Jardin, Cara and me agreed that the angle of the face was wrong, and that the tiger’s face was more titled in reality. We also noticed that cheeks were too big on my sketch and that the eyes should be both bigger and longer up on the face. After having viewed my sketch with Mrs. Jardin and Cara, I looked at the exercises with negative space and geometric shapes as guidance when making the final and improved sketch.

During the weeks we painted with chalk, watercolors and paint, I got feedback from my fellow class mates continuously. The mostly had positive feedback, but Tom came with some points, such as that I should change the color, paint out the stripes earlier in the process and that I should repaint the background because it was too “noisy”. I thought about this while proceeding with my work, though I did not always agree.

I showed my parents some pictures along the way and they gave me short feedback. This was also mostly positive feedback. My mom said that she really liked the shine in the eyes on the chalk drawing, but that she thought the right cheek looked a little bit too big compared to the head. My dad thought the cheek was way too big, but as I tried to copy the shape and size on the photo, so I didn’t change it too much.

Decisions

During the process I made a lot of choices concerning how I made the background and the baby tiger. After having played with several possibilities on the exercises and drafts, I decided to make my tiger in realistic colors and the background in blue since that is a contrast color. At the end of the process I regret this, because looking at the other’s unrealistic paintings I think that would have made a more interesting painting. I tried mixing brown, red and white with the gold/beige color, and this seems to have worked fairly good when I am comparing it to the picture I looked at. I used a lot of time with all the colors on the nose of the tiger, and I am very happy with my results here! I think the “dabbing”-method I used here along with the many different tones of brown, beige, white and pink made the hair on the nose look realistic and as close to the truth as possible. The only problem with the beige color I used was that a lot of other students also liked this for their animal. Towards the end we ran out of this color so I had to try and make a similar color on my own or water out the beige color from the container to use the last bits of it.


For the background I used one of the techniques form the paint exercises. I think this made the painting interesting, because the background got very rough and that is a contrast to the smooth baby tiger face with furry, blurry, round edges. I used black on the background with the blue to set a sharper edge to it and to pick up the black stripes and eyes in the face of the tiger. For the background I also added some watered out black paint, splattered over diagonally. I got some feedback on it that it was too much since the background was already noisy, but after having added the stripes I noticed that it went across the invisible “line” the position of the tiger formed; from the downer right to the upper left corner. I think this was interesting so I am happy I added the black in the background.



At the first few drafts I made almost all of the body of the tiger, but before the final draft I changed this so only the baby tiger’s face was visible in my painting. I think this made the tiger appear cuter, and I could also add some of the details in the eyes and on the nose when having it up-close. This was also something Mrs. Jardin said was smart from the beginning of the process.



I decided not to have so many details in the fur on the body of the tiger, but focus on the face. I did this out of two reasons; to save time, and so that people looking at the painting would focus their attention on only the face. All I did for the fur on the body was to add some stripes that looked like an attempt of fur for it not to look so flat and life less beige, where as in the face I used a lot of time dry-brushing with white and beige for it to look like realistic fur. If I had time I would perhaps had liked to change the fur on the body, but if I had to chose one thing to do half ways in the painting, I am happy I under prioritized. 











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